• January was a busy month and February will be too, so you’re unlikely to see a lot from me. As far as this blog goes, I am, perhaps unduly, concerned about hosting my photos on Flickr. For one thing, they doubled their price since selling it, and for the other, their automation sends me erroneous billing messages which annoys me. I’m a curmudgeon, it’s true, but I am thoroughly sick and tired of software taking the place of human contact. I should become a hermit, I guess. Anyway, it has led me to spend some time transferring some of my most important photos to WordPress. It wouldn’t be a problem but I have to go into EACH POST and change the link to Flickr! OY.

    The Italy trip is done now and in 2020 I will concentrate on one big travel series at a time, then the posts in between. Then I will set up some gallery pages for my art. When January 2021 rolls around again I will consider dropping my Flickr Pro account if I have finished up the link changes, but considering that I have been hosting my photos and linking to them on Flickr here since 2006, I wouldn’t be surprised if it takes me two years to accomplish this without wrecking my blog. I feel like I am being held hostage to Flickr.

    I finally ordered a refurbished laptop from Dell.com only to find that it came with Windows 10 in Spanish only and could not be changed to English. So I returned that after a lot of phone time and confusing emails and ordered a Lenovo off eBay. I won’t be doing business with Dell again. I just received it, it seems to work fine, and it will be easier for me to post once I finish setting it up. I also have the Tapestry Weavers South website to update, and that will move to the front burner now that I have a laptop at home.

    My other tech update will be when I either have my phone repaired or buy a new one. Then I will get back to taking a lot of photos, which will make me quite happy!

    We moved my studio space to the room that I suppose should be the dining room and the (parlor/TV room/family room/den/living room ???? what to call this room?) TV, sofa, etc. to the front room where it is dark and cozy. The studio room has much better light. This meant that I purged a lot more stuff in January – looms, yarns, books, knick-knacks – about twelve boxes worth! In return we have some actual space in both rooms, and the cats are delighted with the new racetrack from the front room to the back, complete with throw rugs to slide across on the studio and the kitchen hardwood floors.

    I completed the caterpillar four selvedge tapestry, but the top and bottom selvedges bother me and the choice of those little areas of kelly green appall me. What was I thinking? It is still a good piece so I am going to hem it heavily at top and bottom and take care of both of those things.

    Oh, and I paid off my last installment on this art retreat on the west coast of Ireland. Ireland, my love. And an increasing interest in collage and book arts.

  • Wow. I can’t even think as far as a new decade. Truthfully, I don’t have a lot of hope of things getting better over the next ten years so I think that I’ll focus on one year at a time. Or a month, week, or day at a time. For the purpose of this post, one year. I don’t expect anyone but me to read all this. It will be a long ramble as I gather my thoughts.

    The O’Neills just entered a new era with Sandy’s last day of work ending yesterday at 4 p.m. I was really happy that everyone there gave him a good send-off. He worked there the longest of any place of employment and he loved the people there, but I always felt that they did not appreciate his customer service skills enough. Maybe they did. Customer service is definitely a skill, and I’ve had to remind him of that many times. It’s a skill that I have to fake most of the time. Maybe that’s part of the skill!

    Anyway, I sound like a broken record but I am seriously trying to downsize my studio, and that has come down to some hard choices. My Schacht Baby Wolf loom went to live with a friend as a permanent loan. I am selling my Dorothy table loom. Most of my tapestry frame looms have been given away. I gave a lot of yarn to another friend yesterday who makes scarves for charity and is interested in learning to weave tapestry. I’m giving all the papermaking stuff and equipment to Susanne because if I ever want to make paper again I can always go to her studio to do it. Some of it came from her anyway!

    I am trying to think carefully again about what it is that I really enjoy versus what I think that I enjoy until I do it. Mostly that comes down to mess. I like the results of painting and glueing but not mess on my hands. And I hate wearing gloves. Does the hatred of the mess outweigh my enjoyment of the process? In the case of ceramics, I decided that it did. I washed my hands so much they were chapped. As far as dyeing…I guess I have to face the fact that I can’t make myself start doing it any more. If I am at a workshop, I am all in. At home, no. Maybe I should get rid of my dyes.

    Collage and painting is in my future but I will have to come to terms with liquid or sticky mess. Tape and sewing are better options for my preferences, but glue will be necessary at times. I think that I might be able to get past the OCD on this. I can’t give in to OCD completely! There is some stuff I have (will have to find it) that you can put on your hands and the paint and glue washes off easily. Besides, I have some fabulous plans for 2020 in which these will be necessary components, so in this case the results will be worth it.

    When I think about what brings me the most joy, it is always fiber and book arts. Weaving, crocheting, stitching. I had so much fun weaving cloth strips together in Jude’s online classes and sewing together the t-shirt quilt. Bookbinding really puts me into the flow. I need to stop being so scattered and focus on a smaller circle of media, and then maybe I won’t feel so overwhelmed all the time.

    Most of my travel will be compressed into seven weeks this year! That will be a long haul of anticipation until June 12, when I will leave for the place of my heart, Ireland, for a little over two weeks. The first week I will spend exploring on my own, in Howth and Dublin for three days, then a train to Galway and one night there, then a train to Westport for three days. Then on June 20, I will go to an weeklong art retreat with Mary Beth Shaw near Westport which will be exciting and beautiful.

    Near the end of July, Convergence, the biennial conference organized by the Handweavers Guild of America, will be in Knoxville, Tennessee, about a 5-6 hour drive from home. There I will take two daylong tapestry workshops from Molly Elkind and Tommye Scanlin.
    Sandy will go with me on this trip.

    Then I will come home for a couple of days, catch up on work, and head east to Topsail Beach for a long weekend book workshop with Leslie Marsh and Dan Essig, two of my favorite book artists.

    As you might guess, all of this is costing me a lot of money but the good part is that I have paid for most of it already. I had to pay for the Ireland art retreat upfront with cash and that had to come out of my savings. I am going to be concentrating on replenishing that, but as for the other expenses, I have paid my credit cards off! So I am heading into 2020 debt free except for the solar panel loan, which I hardly think about because the payments go directly out of my paycheck each month. I will be able to take the solar tax credit this year.

    I am moving my studio from the dark front room into the room where we now use as a TV room/den and moving the den into the front room. This has been part of the reason for my purge. We have a very small house and to make any major changes, we have no place to shift stuff around. This will take time. We need to repair the plaster in the front room and paint. Right now it is a burgundy color and it has never been painted since before we moved here in 2001. Painting it a lighter color feels like a good change.

    Other than that, we will try to do a couple of long weekends at the lake and Sandy is cleaning out the back building to set up a game room. Gardening is on the list of course and I bought myself a grow light to raise my tomato seedlings this year.

    Now that I’ve cleaned out my brain, I’m heading back to the studio where MAYBE I will finish the caterpillar tapestry. I want to put it in the unjuried small tapestry show at Convergence.

    I still have hope that I might be able to retire at 62 and that gets me through a lot of my days. I got a taste of what it would be like for the past week by staying at home for our winter break. I don’t talk about it much but my outlook is pretty bleak. Thinking about travel and art retreats helps me more than anything else. I hope that I will be able to continue it on a smaller scale, after I retire, even if it means that I take a part-time or temp job or two.

  • 2019 – the slowing of the slow. Just as it went last year, I have spent a lot of time in and out of major depression. So some things went to the wayside that I had big plans for, like this blog. I won’t say that they won’t still happen though. I did manage to post at least once a month, so yay, me! Hopefully I will get a laptop soon and won’t have to rely on this Kindle.

    Anyway, my aspirations for 2020 will have to wait for tomorrow’s post. Right now I am looking back at 2019 after a wonderful week spent at home, mostly by myself. What an introvert I am. And it was actually a pretty great year.

    In January, we fulfilled a life goal and installed 12 solar panels on our roof.


    In February, I learned Tunisian crochet and began a weather scarf that used the high temperatures of each day in 2018 to determine the color of each row. It was a lot of fun and I have started a 2019 one. I continued weaving a big twill gamp project on the Macomber loom.

    We lost my Aunt DeLaine in March. She was absolutely my favorite aunt and I miss her terribly. Her last year was dreadful, with dementia and failing body, so I prefer to remember the adventuress who traveled the world and went ziplining with us (well, not me, I chickened out) at age 87.

    Susanne and I took a wonderful book workshop with Leslie Marsh and Kim Beller at Topsail Beach again, this time with plaster covered books and an amazing array of natural dyepots.

    It is good to look back at April posts to see the lovely photos of my gardening. We went to Lake Waccamaw where my sister and brother-in-law had finished the repairs to their house from the hurricane in September 2018.

    We traditionally take a big trip in May, and this year we met my cousin Cherie in Denver for a road trip to New Mexico. There are many photos. It was a grand time.

    Bernie and Liz, two parakeets who hate us, joined our household in June. They belonged to a family member who was not able to take care of them properly and had them crammed into a little cage. Now they have a cage big enough for them to play and flutter around a bit and they still hate us, but they are Sandy’s birds and I just walk into his man cave and make noises at them now and then.

    Susanne and I made our biennial trek to Oregon for the Focus on Book Arts conference in Forest Grove, a town where I would love to live. This time I took two classes from Leighanna Light, who has become one of my favorite art teachers, and we stayed in a lovely AirBNB apartment that we shared with another FOBA friend. We spent a few days in Portland first and I got to see Cat, another person I really miss but we have managed to see each other every few years when I go to the west coast.


    In July and August I took a break from traveling and caught up on some online classes and took a day class in sakiori weaving in Durham from a saori weaver, Dawn Hummer. I harvested tomatoes, peppers, squash, cucumbers, and figs.

    Labor Day weekend was the Tapestry Weavers South retreat in Elkin, NC, this time only about an hour’s drive away! Sandy went with me and we stayed in a cabin outside of town. I ended up taking a wedge weave class with Connie Lippert which really opened up my mind to what I might do with all this wool I have in bins in the studio.

    September brought the beginning of the Greensboro chapter of the Tiny Pricks Project. It was a lot of fun and I made some new friends. And I got to see BERNIE! Oh how I love Bernie.

    I wrote about the Tiny Pricks Project and posted a lot of photos of it in October. My friend Leslie Millsaps passed away in a tragic car crash and many people are still mourning her.

    A cancellation in Leslie Marsh’s Nature Bound workshop and a very wise impulse led me back to Topsail Beach for another round with Leslie’s patient and excellent teaching, this time a book with metal covers. I left with one of the most beautiful books I have ever made.

    About ten of our Tiny Pricks embroideries were hung at Scuppernong Books for a few weeks around Thanksgiving until Lisa sent them off to join the big exhibition in New York.

    We went to Lake Waccamaw for Thanksgiving, where, SURPRISE! we stayed at Fred’s house because Weezer managed to clean it up, fix it, replace the furniture, and make it livable again. Lisa and Tim left their rental house and moved back into their house down the road again, nearly a year after Hurricane Florence’s eye decimated the houses and piers along that shoreline.

    And December. Well. I have mostly nested and cocooned but I did spend the past week doing a major purge of my studio. I squeezed a lot of stuff into my little bedroom and the plan is to repair the plaster and paint the front room, then move the living room furniture and TV into there, and my studio will move into what would properly be the dining room in a normal household, an open room next to the kitchen with much better light.

    Sandy’s last day at work, ever, is today. A big shift is happening in our lives with the new decade. Good things are happening. I will spend some time writing about this tomorrow. And I will insert links back to posts later this week when I have access to a computer.

  • So here are the two tasks before me today and through the end of 2019.

    I am going to complete “Blackbird” and “Caterpillar.”

    I am going to clean up the other side of the front room, which is currently piled up with junk. This is what I have been referring to as purgatory, where stuff goes to wait until it is burned or recycled. This is a big project but I am reaaaaaally done with walking in the front door every day to face this. By the end of the year, these piles and boxes shall be gone.

    Plus I have a warm studio, and can even cook on top of this, but the trick is to keep it so that the heat doesn’t run me out of the studio. So no stovetop cooking today.

  • Photos from Lake Waccamaw. The first two are from in front of my sister’s house. The others are from the lake house that we thought would have to be torn down after Hurricane Florence flooded it. Weezer cleaned up and painted two of the antique dressers and they look great.

  • I do not have many photos from this workshop, a sign of excellence for me. It means that I was so much in the present moment that I forgot to take photos. It is generally hard to get into one of Leslie’s workshops because they fill quickly, but someone canceled and I took their place. Leslie Marsh has a beautiful home and studio on one of North Carolina’s barrier islands at Topsail Beach.

    A trademark of Leslie’s book workshops is natural dyeing. She studied with India Flint and developed her own techniques of eco-printing. I particularly like Leslie’s method because she skips the mordanting step and puts everything in the dye pot. When we wrap our papers and fabrics with leaves around copper pipes, all we need to do is wet them and bind them tightly to the pipes. Then she pops them into her potion and they come out transformed. I have found that I do not like the mess of natural dyeing and so this is like heaven for me – the magic without the prep and clean-up. I am not fussy and precise. I enjoy the surprise.

    This particular workshop was special because it definitely took me out of my comfort zone. We learned Leslie’s method for her metal book covers, which involves liquidified solder! Leslie is a wonderful, patient teacher and gave each of us individual help as we used these tools and methods for the first time.

    We spent a cold Saturday preparing the dyed and leaf printed papers and wool felt, and metal covers for our books. Then we spent Sunday binding the books with coptic stitch, which I do so seldom anymore that I always need a refresher. The second photo of the finished book was taken by Leslie.

    I took a little while during the lunch break on Sunday to visit the beach and collect some shells. I love the old worn out ones with holes in them. Sandy mostly stayed in our room at the Jolly Roger because he was sick on Saturday, but he revived on Sunday and drove around exploring while I finished my book. Our room was oceanfront, and I was really impressed with these surf fishers who were out there even late at night. Because he was sick we didn’t eat out Saturday night but we had appetizers and dessert at the Beach Shop Grill on Friday night. Their crab balls are exquisite. Expensive restaurant though. We couldn’t afford to eat there often if we lived nearby.

    Anyway, I would take every workshop from Leslie Marsh that she offered if I could.


  • Here we are on Thanksgiving week, ready to celebrate the only holiday I participate in other than Festivus. And the big news is that Sandy and I will be spending it at Lake Waccamaw at my cousin’s house, my heart space, the house that I mourned for the past year because nobody who saw the flood damage from Hurricane Florence thought that my cousin’s wife would spend the money and make the huge effort to save it. But she did! It won’t be the same – all new furniture and appliances since the antiques were ruined. I’ll know more when I get there.

    And my sister and brother-in-law finally moved out of the rental house and back to their house on the shore down the road.

    For the past month, I mainly concentrated on the Tiny Pricks Project, but I have done some other fun art things. My most recent Tiny Pricks project is a large tea towel so it is taking a while. I should get it done tonight, hopefully! Scuppernong Books has already started pinning up our handkerchiefs, doilies, and crafty items spotlighting the unmatched wise words of our very, very brilliant Dear Leader, and we will add a few more before we send them all to Diana Weymar and the big Tiny Pricks Project. This has been very good for me: good for my stress level, my sense of humor, and connection with other people. I made new friends, which is not easy for me. You can see the Greensboro chapter’s projects on Instagram. I have finished three and three of the four are related to hurricane quotes.

    I couldn’t resist doing one of his nonsense “word salads” and this is a bit hard to read, so I’ve typed it below the photo.

    I’m going to maybe and I’m looking at it very seriously. We’re doing some other things that you probably noticed like some of the very important things that we’re doing now. But we’re looking at it very seriously because you can’t do that.

    Wow, that’s a very serious amount of nothing said at all!

    Speaking of nothing, don’t forget to do any shopping early this week so you can celebrate “Buy Nothing Day” on Friday. So there IS a third holiday that I participate in.

    I think that I’ll put the other stuff in another post.

  • These are some random thoughts around the theme of connection, which has been on my mind very much lately. Expect some curmudgeon-ish talk.

    Last night I went to our Tiny Pricks Project gathering, and I was thirty years older than the other three women there. I enjoyed it thoroughly. There was even a baby photo and conversation about teething. And that put my thoughts to work: my angst right now is as much about aging as anything else.

    For most of my life I have been the youngest in the crowd. I was a late-in-life surprise baby and my siblings are 8-9 years older than me. I dated boys and men who were older. I married a man who is nine years older than me. I have always preferred the company of older people. So here I am and my friends are increasingly younger. I feel the generation gap. The graduate students often see me as a mother or grandmother figure. Of course their experiences and concerns are different from mine, and if I let myself, I can enjoy listening to them and learn from that, and I will have to get over being shocked if they aren’t familiar with 70s bands and didn’t live in a pre-Internet world and have a definition of sexism that is far more sensitive than the blatant sexism and harassment I experienced. I am not the youngest in the crowd any more. OK Boomer!

    I will probably never understand the obsession of some people with being connected to other people constantly on their phones. What’s with the earbuds that are permanent installations on some heads? When I worked for a call center I couldn’t wait to get off the phone so I can’t imagine being wired in during my personal life. Often I don’t answer the phone. If it’s important, they can leave a message or text or email. I don’t get helicopter parenting. It’s funny how those parents don’t see themselves that way. It is such a different world than the one in which I grew up.

    My first forty years were cell phone free and somehow we managed not being constantly connected to everybody else. I resisted getting a smart phone until a few years ago and my main reason in finally getting one was for GPS and being able to upload photos. My other influence is my mother, who was more than willing to let her kids go and I doubt very much that we were on her mind every minute of the day. In fact, I am pretty sure that she probably went for hours not thinking about us. In return, she created three very independent adults.

    Any kind of loss is very difficult for me, but I can be separated for a long time without anxiety. Friends have broken my heart much more often than lovers. About thirty years ago I decided not to chase after friends who had disengaged and let them come to me if they wished. Most of the time they didn’t, and I was better off. I recently reconnected with one of those friends.

    I can also admit that I have been that friend who disengaged. And those who let me go were better off as well.

    So I simply feel lost in this century with its constant distractions from what is directly in front of us. I am a victim of these distractions as much as anyone. I have to find a way back to the here and now of my life, and I need to find a way to connect with others without making myself crazy.

    The joys of social media are real, and have added a positive dimension to my life that could not have come from anywhere else. Those few folks that don’t do it ask me, where do you find out about these workshops and retreats? Facebook. How did you find out about this artist? Instagram.

    Where do I draw the line? Giving up Facebook and Instagram is not an option, not only because of the positive aspects, but because Facebook is part of my job.

    I need to get outside more often and leave the phone and camera behind. I love photography but experiencing life through the lens of a camera or the potential shot is not fully connecting. I am very, very tired of technology right now.

  • My recurring dream these days is that we are living in a rental condo in a very quirky wonderful community but we have forgotten to pay the rent for months and it would take all my savings and then some to pay the back rent. I am afraid of getting evicted because I love it there and often I am planting seedlings in the yard that I raised indoors, and I want to see them grow. I remind myself that in fact we live in a house that we own towards the end of each dream but it repeats itself almost every night.

    Despite my absence here I am not in the hole. Lately I feel a bit like I am bobbing up and down as I float in a stream. I keep forgetting to take my meds and I need to figure that out. Sleep deprivation and game addiction are problems. I lost a friend in a terrible car crash a couple of weeks ago, and that was shocking, especially because she was so vivacious and that she was convinced that humans could live far beyond their normal life spans. We had much in common. It made me think deeply about my lack of connections to people “in real life” and the opportunities I have missed by putting them off. I need to find a balance between my need for solitude and my need for in person human friendship.

    Work has been busy. I am about to finish one major project and start on another. Much of my mental energy is devoted to reminding myself that this is a great job – it is the best job I ever had and the people I work with directly are fabulous. The university, however, is a frustrating place to work. Because I am fatigued it is difficult to make myself get up in the morning and go to work. When I come home at night I usually don’t feel up to doing art work or cooking dinner. I don’t know how parents manage. It’s a very good thing that we chose the childless life. I fantasize a lot about retirement and I’m only 58.

    It feels as if I am living in a band of low static on a TV screen most days.

    I don’t like small talk. I often come away from these kind of interactions feeling like I have talked too much or sounded idiotic and I kick myself mentally instead of sleeping. Conversation with younger women often bores me and I find myself thinking about how soon I can get away. I don’t understand a lot of cultural references because I don’t watch much TV. I don’t care about fashion. Every time a friend gets pregnant I know that I am about to lose a friend, because I am horrified about that child’s future on this planet and I don’t think that it would be appropriate to express that. When I see those baby photos, my heart breaks. My talk of cats and travel and books and art probably bores the crap out of these women. I love conversations with the graduate students and faculty and listening to their talk about history and politics. I am addicted to art retreats where I meet other people to whom I can relate.

    For most of my life, I have preferred the company of men. If I hang out with male coworkers and friends, I run the risk of rumors, and although I couldn’t care less personally I realize that it is probably a bad idea. This has recently jumped into my head. Sometimes I wonder if I was young in today’s world what gender I would identify as, where I would take that realization. Sometimes I wonder where I am on the autism spectrum. Anyway, I seldom have real friendships with men outside of work any more, and I miss that.

    But other days, I feel great. I probably have more friends now than my personality can support – HA! The core group (three of us) of the Tiny Pricks Project Greensboro are getting tightly bonded. The small group of women that Carol and Leslie (our friend who died) began re-extended their invitation for me to join them, and I took the day off last Thursday to do so. The problem is that they meet for lunch on Thursdays, which doesn’t work with my work schedule. However, they do other things too, like go to the beach and the mountains together. I would like to join them. Most of these women are around my age or older. My Facebook friends are eclectic, artistic, and supportive. I feel fortunate in so many ways. I am involved in Tapestry Weavers South, considering the 50+ Artists Community here in Greensboro, and I could always go back to the local fiber guild and Sierra Club.

    So I am conflicted and anxious and hopeful and grateful and feeling exceedingly weird.

    Thanks for coming to my self therapy session. Maybe I will share some actual news next time! I really am doing some worthwhile stuff. This weekend I will go to Topsail Beach and take a book workshop with Leslie Marsh. So there should be some photos from that next week.

  • A while back several news articles began circulating on Facebook that got a lot of attention from me and my fiber artist friends. They were about Diana Weymar, an artist who created The Tiny Pricks Project, who says this about how it began on her website:

    On Jan. 8th, 2018 I stitched ‘I am a very stable genius’ into a piece of my grandmother’s abandoned needlework from the 1960s. When I posted it on Instagram, the response was immediate and overwhelmingly positive. Assuming he would become more presidential over time, with only the occasional ridiculous tweet, I decided to stitch one Trump quote a week. However, it quickly became a daily practice, as I tried to keep up with the outpouring of “unpresidential” text. Friends asked if I would host workshops so that they could join the project. Tiny Pricks Project has since become the largest textile Trump protest EVER with over 1100 Tiny Pricks and hundreds of participants globally. The series will go strong until Trump is out of office. The goal is to create 2020 Tiny Pricks by 2020!

    One of my friends tagged a half dozen of us to see if we wanted to participate, and thus the Greensboro chapter of the Tiny Pricks Project began. We meet on Monday and Wednesday nights in a couple of different places to stitch the outrageous and surreal words of the man currently occupying the Oval Office on tea towels, doilies, and handkerchiefs that we pick up in various thrift/antique stores. One of us doesn’t stitch but has drawn and written designs for stitchers to pick up and work on. We started out at a local brewery but as fall progressed the lighting became too dim, so we now meet at our favorite local bookstore, Scuppernong Books, in downtown Greensboro on Mondays, and just moved our Wednesday night meeting to Leveneleven Brewing, a small brewpub across from the Greensboro Coliseum on Coliseum Boulevard.

    We plan to do this for at least the next six weeks, after which we will have a small show of our work at Scuppernong before sending them to Diana Weymar for her project. You don’t have to come to the meetings to participate.

    Last night we agreed that this project has been so therapeutic and fun that we will likely continue meeting as a group after the show.

    Here are a few of the finished pieces. The top one is mine. If you are interested, please follow the Tiny Pricks Project Greensboro Instagram page.